Clay & Preparation
Everything that happens before the wheel turns: choosing a body, wedging out the air, reclaiming scraps and getting moisture even.
Specifications, safety notes, compatible bodies and glazes, and the practical advice that actually matters — for every tool from the wedging board to the kiln vent.
Our 3D Studio runs entirely in your browser. Shape a form on a virtual wheel, paint glaze onto a rotating pot, cut a section through it and model a firing curve.
Understand heat work, ramp rates, soaking and cooling — and calculate a schedule that suits your body, your kiln and the cone you are aiming for.
Clay preparation, wheel and shaping, trimming and cutting, glazing and surface, kiln and firing. Every one of the 28 tools belongs to exactly one.
Everything that happens before the wheel turns: choosing a body, wedging out the air, reclaiming scraps and getting moisture even.
The wheel, the ribs, the sponges and the measuring tools that turn a centred mound into a form with intention.
Foot rings, clean rims and controlled cuts — the finishing stage that separates a rough cylinder from a resolved pot.
Buckets, tongs, guns, brushes and resists — the surface toolkit, plus the safety habits that keep glaze chemistry manageable.
Kilns, shelves, cones, gloves and vents — the equipment and instruments behind every successful firing.
Every tool on this site is tagged with the stage it belongs to, so you can find what you need at the moment you need it.
Homogenise the body, expel trapped air, then bring the mound onto the axis of the wheel.
Open the clay, raise an even wall, and compress it with a rib until the form holds its own weight.
Turn a foot ring at leather-hard, then dry slowly and evenly so the piece does not crack or warp.
Apply glaze to a controlled thickness, then bisque and glaze fire on a schedule you have logged.
Each one is a genuine parametric model, not an animation. Drag, tune and measure — then read off numbers you can use at the bench. No plugins, no downloads, no data leaves your browser.
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If it does not appear, your browser may not support WebGL — the four studio tools each include a 2D fallback.
The nine pages readers open most often, ordered by how much use they get in a working studio.
A durable, mid-to-high-fire clay body that throws well, takes glaze predictably and survives thermal shock in everyday use.
A variable-speed rotating head that lets you centre, open and raise a wall of clay into a symmetrical vessel.
A wire or steel loop set in a handle, used to turn a leather-hard pot, cut a foot ring and refine the profile.
A wide, lidded container that holds mixed glaze at working depth, letting you dip a pot in a single steady movement.
A dense, soft sponge used to keep the clay lubricated, to smooth the wall as it rises and to lift the last of the water out of a form.
An electrically heated chamber with programmable controllers, used for bisque and glaze firings with repeatable, logged schedules.
A plaster-topped table that absorbs excess water and anchors the clay during kneading, so air pockets and soft spots get worked out before throwing.
A tensioned wire between two handles, used to free a pot from the wheel head and to slice clay into uniform slabs.
Work out how big to throw a pot, how much glaze to mix, and how long a firing will take. Everything runs locally in your browser.
Enter the finished dimension you want and the shrinkage rate of your body, and get the wet dimension to throw, plus the expected dry and fired sizes.
Enter the dry weight of glaze you want and the recipe percentages, and get the gram weight of every material plus the water to add.
Choose a body and target cone, set your ramp rates and soaks, and get the full schedule with time at each node and the suggested pyrometric cone.
Long-form, studio-tested writing on centring, safety, glaze defects and the rest of the craft.
Centring is not a strength contest. It is a technique for applying pressure to a rotating mass in a way that makes the clay find its own axis.
Pottery is a dusty, hot, chemically active craft. None of the hazards are exotic — all of them are controllable. Here is what actually matters.
Pinholes, crawling, crazing, shivering, blistering — every glaze defect has a cause. Here is how to read the surface and fix it.
Our beginner's guide covers the minimum kit, how to find a kiln you do not own, and the first five projects worth making.