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WebGL could not be initialised, so the interactive view has been replaced with a static schematic. Every control below still works and the numbers are still calculated.
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Proportion
Presets
Actions
Calculated output
| Capacity | — ml |
| Height | — mm |
| Diameter | — mm |
| Surface area | — cm² |
| Clay needed | — g |
| Wall ratio | — |
What this simulator models
The Wheel Thrower builds a vessel from a parametric profile rather than a fixed mesh. Six controls describe the form: rim flare, neck narrowing, base width, wall thickness, height and maximum diameter. Change any of them and the profile is re-solved and the lathe geometry rebuilt in real time.
Why a lathe profile is the right model
A thrown pot is a solid of revolution. Every point on its surface is defined by a radius and a height, which is exactly what a lathe profile describes. That is why changing the rim flare on a thrown form changes the whole silhouette smoothly rather than creating a crease — the clay is continuous around the axis.
Where the numbers come from
- Capacity is the volume enclosed by the inner profile, computed by integrating the square of the inner radius over the height — the same disc-integration method you would use by hand.
- Clay needed starts from the volume of the wall shell (outer profile minus inner profile), multiplied by a nominal clay density of about 1.9 g/cm³, then padded by 18 % for throwing loss, trimming and slip.
- Wall ratio is wall thickness divided by maximum diameter. Below roughly 1:12 a form becomes delicate; above 1:6 it reads as heavy.
The clay estimate assumes you throw to finished thickness. Most potters throw 15–25 % heavier and trim back, which is why the padding is there. Log what you actually use and adjust.
Try these experiments
- Set the height to 90 mm and the diameter to 96 mm, then increase rim flare from 0 to 60. Watch the capacity rise even though the body has not grown — the rim is doing the work.
- Load the Vase preset, then push neck narrowing to 80 %. The capacity falls sharply and the wall ratio climbs. That is the trade-off every vase makes.
- Take the Plate preset and raise wall thickness to 24 mm. The clay weight estimate jumps far more than the capacity does, because a plate is mostly surface, not volume.
Related tool references
- Pottery Wheel — The centre of the studio: a motorised head that spins clay into round forms.
- Rib Tool — A shaped blade that compresses, smooths and profiles a wall.
- Calipers — Measure the pot you are making against the one you already made.
- Throwing Sponge — The cheapest, most-used tool on the wheel.
Try the rest of the studio
Glaze Painter
Paint glaze straight onto a rotating 3D pot. Eight preset glazes, a brush, a sponge, a dip tank and a wax resist, all mapped to a live texture as you work.
Clay Cutter
Slide a cutting plane through a thrown form and inspect the section. Read wall thickness, base thickness and cavity depth, then score how even the wall really is.
Kiln Curve Simulator
Build a firing curve segment by segment, then play it back and watch the kiln climb. Presets cover bisque, glaze, raku and stoneware schedules.